![]() "Why Apple's New Font Won't Work On Your Desktop". "Three Exemplary Typefaces for User Interfaces". Open space in a letter is called the counter or the aperture. Designing Websites: According to the Ancient Science of Directions (Google books (limited preview)). Counter is the white space center of enclosed letters like Bb, Dd, Pp. ![]() Using desktop publishing to create newsletters, handouts, and Web pages (Google books (snippet view)). ![]() Designer Nick Shinn has suggested that the cause of this design trend, similar to the Didone serif typefaces of the nineteenth century, may have been the desire to distribute the pressure of the printing press on the type, reducing wear. Closed letterforms on highly condensed grotesque designs such as Impact and Haettenschweiler make characters such as 8 and 9 almost indistinguishable at small print sizes. This gives these designs a distinctive, compact appearance, but may make similar letterforms hard to distinguish. Grotesque or neo-grotesque sans-serif fonts like Helvetica use very closed apertures, folding up stroke ends to make them closer together. These and other letters can be a pixel away from being some other letter. The lowercase ‘e,' the most common letter in English and many other languages, takes an especially unobliging form. Shapes like ‘C’ and ‘S’ curl back into themselves, leaving tight "apertures"-the channels of white between a letter’s interior and exterior. Helvetica can’t do can be really weak in small sizes. This design trend has become increasingly common with the spread of humanist sans-serif designs since the 1980s and the 1990s and the use of computers requiring new fonts which are legible on-screen. Fonts with open apertures include Lucida Grande, Trebuchet MS, Corbel and Droid Sans, all designed for use on low-resolution displays, and Frutiger, FF Meta and others designed for print use. This may be especially important in situations such as signs to be viewed at a distance, materials intended to be viewed by people with vision problems, or small print, especially on poor-quality paper. Notice how 8 and 9 in Haettenschweiler are barely distinguishable.įonts designed for legibility often have very open apertures, keeping the strokes widely separated from one another to reduce ambiguity. Three sans-serif fonts: Corbel with open apertures, Helvetica with closed apertures and Haettenschweiler which is also condensed. This design decision is particularly important for sans-serif typefaces, which can have very wide strokes making the apertures very narrow indeed. handwritten) ' ' has an open counter.ĭifferent typeface styles have different tendencies to use open or more closed apertures. The digit ' 4' also has two typographic variants: the closed-top variant '4' has a closed counter, and an open-top (e.g. The lowercase ' g' has two typographic variants: the single-storey 'g' has one closed counter and one open counter (and hence one aperture) the double-storey ' ' has two closed counters. An aperture is the opening between an open counter and the outside of the letter. The digits 0, 4, 6, 8, and 9 also possess a counter. Latin letters containing open counters include c, f, h, s etc. Latin letters containing closed counters include A, B, D, O, P, Q, R, a, b, d, e, g, o, p, and q. The stroke that creates such a space is known as a "bowl". In typography, a counter is the area of a letter that is entirely or partially enclosed by a letter form or a symbol (the counter-space/the hole of). The counter of the letter ' p' shown in red
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